THE SEQUENTIAL EVOLUTION OF ACRYBEAD™
EVOLVE OR PERISH is a sequential evolution of Mvskoke artist, Andrea Day's signature three-dimensional medium, Acrybead™, acrylic painting and hand sewing small clusters of seed beads directly into stretched canvas. This series of work embodies the significance of A. Day's transformative art innovation, illuminating its pivotal role in forging a unique path towards Mvskoke language and cultural preservation, while challenging and reshaping categorical perceptions of First American fine art within the art industry.
Artworks incorporate Mvskoke and machine languages, drawing inspiration from the resilience of nature and the collaborative energy of A. Day's life in New York City. On the surface, vibrant depictions of flora and fauna suggest a world of seemingly cheerful beauty, yet beneath the surface lies conceptualized depths. Through interwoven giclée illusion, obscured messages, subtle motifs, and original designs infused with decipherable allegory, her work invites the curious mind.
Amidst this celebration of innovation, "Evolve or Perish" serves as a poignant reminder of the resistance to change within the Native American art market and the broader art industry. Stereotypes persist, hindering the recognition and acceptance of innovative artistic developments. Through her work, A. Day ignites discussions about cultural identity, survival, and the transformative influence of art. It is an open dialogue, delving into the complex experience of being an urban Indian in the 21st Century - of not fitting neatly into predefined categories, of straddling multiple worlds, and perpetually feeling like an outsider trying to launch into a closed loop art world with gatekeepers that enforce conformity and stereotypes.
Through exploration of these themes, the artwork seeks to foster healing from collective trauma and disrupting deep-rooted perceptions by confronting the urgent need for innovation within the art world and to embrace ever-evolving First American artistry. 'Evolve or perish' holds particular resonance, echoing historical struggles, while also underscoring the urgent need for innovation within the art world to break free from entrenched stereotypes.
My name is Andrea Day, and I am the creator and founder of A. Day's Work. I have been an artist and musician all my life, from the time I was an elementary student in Edmond Indian Education in Oklahoma, to my solo recital debut at Carnegie Hall in NYC. I was a performing artist in New York City for 14 years.
Then, something unexpected happened. Becoming a new mother brought a profound sense of responsibility and purpose, and simultaneously, a life-altering hip injury during childbirth reshaped my path. With my career sidelined, I began to reflect on where I could go from here.
So I began again, with a blank canvas and infinite possibilities. I taught myself how to paint, and developed my own technique of phasing between layers upon layers of painting with acrylics and hand-sewing small clusters of seed beads to stretched canvas, purely by instinct and the compulsion to create something new. I named my newly developed core medium and technique, "acrybead", in order to describe work that is otherwise uncategorized.
My first work, created in 2018, is an improvisation of my then 18 month old daughter's favorite shapes: circle, heart, star. I chose to do a fuswv (Mvskoke word for bird) because we are bird clan which has always been and remains a significant part of the Kvntvle - Wiley family legacy. When I finished the beadwork and painting, my daughter and I walked around Sunnyside, Queens, in NYC, where she picked up some fallen leaves to stamp gold acrylic on the canvas. In this way, Mirielle's Fuswv connected with the natural world.
When people describe my art as happy and cheerful, they are often referring to the vibrant and lively surface elements, such as the colorful flora and fauna. However, this interpretation can sometimes overlook the deeper meanings and cultural significance embedded in my work. While the outward appearance is inviting and joyous, each piece also carries a message.
In Tvffolopv, the butterfly’s delicate and arduous formation of its wings reminds us of the importance of patience and perseverance. It teaches us that the struggles we face are not just hurdles, but essential steps in our own metamorphosis, leading us to emerge stronger and more beautiful than before.
My daughter's favorite shape and color a the time, Kolaswv blends my her cultural background. Inspired by eagle feathers and the Pennsylvania Dutch barn star, the celestial kolaswv merges earth-bound traditions with the expansive, timeless nature of the cosmos.
The Oklahoma state wildflower, Indian Blanket, blooms and stands front and center. Created during the COVID-19 pandemic lockdown in NYC, I wanted to bring the colorful, vibrant outdoors onto the wall of our small apartment in Manhattan. This work also conveyed my inner wish to move my family to safety and return home to Oklahoma, a place where wildflowers have the space to grow freely and in abundance.
The friendly Eastern Bluebird greets with a hearty “estonko!” (how are you!), a common Mvskoke (Muscogee Creek) greeting. His feet reveal the Mvskoke word for bird, ‘fuswv,’ and an octagram marks his breast as a compass, an intrinsic bond to the natural world and cultural continuity.
Self-portrait against a backdrop of lyrics from the hymn, “Just As I Am”, in Mvskoke language. The earring was separately crafted in intertribal Native tradition and partially handsewn onto the canvas so the fringe can move freely, creating the opportunity for dynamic movement which has always been an important element in my performing arts career, prior to the crippling hip injury that inspired me to evolve into this new medium of expression. Designing and creating this work reminded me that I am still whole and complete, even without the ability to ambulate. “Nakvhayv” is the Mvskoke word for artist.
In 2020, I found an orthopedic surgeon that believed he could fix the damage in my right hip. Although the pandemic delayed my ability to go through surgery, I was pushed to the front of the line when elective surgeries resumed in August. It took a year to build my strength and posture, and learn how to walk normally again....without a cane. And once I did, I didn’t want to stop for anything.
So in 2021, I didn’t create a single work because I was recovering and walking and climbing and enjoying mobility and keeping up with my toddler.
In my clan, Fuswvlke (bird clan), we believe loved ones that have departed before us impart messages through birds. Upon moving my family from NYC to Oklahoma, I saw this lady cardinal. Although starting from scratch and knowing the road would be tough, my family was safe post-pandemic. My departed loved one sent a lady cardinal to check in on me, so I sent a message back. Acvfvckes. I am happy.
A petunia blooms in summer and talks of skyscrapers. Do you see it?
In this work, the Mvskoke language takes center stage, much like my early work. Except in this case, I beaded "meske" completely freehand. At this point, I began trusting my process.
Created in celebration of my daughter’s 5th birthday, this work symbolizes her birth and the emergence of her journey from my own. The Manhattan skyline, Oklahoma evening sky, the golden lvmhe (eagle), the sun, the moon, a universal declaration of love - all important milestones of our journey together while symbolizing the interconnectedness of my heart with hers.
The giclée prints maintain the effective illusion of 3D beadwork, a great opportunity to own a piece of A. Day's Work without the hefty price tag of an original. But I wanted to create something that would add back the third dimension by way of light reflective faceted glass beads, and so A. Day Enhanced Giclée was introduced in 2023.
A still life of ideas, A. Day original flower designs emerge and materialize from the daily cup of kafe (coffee), a testament to the power of a brief tranquil pause and unbridled imagination. “Sem mometv,” a Mvskoke (Muscogee Creek) verb meaning ‘to imagine,’ encapsulates the very idea of creativity blooming from chaos.
Mvto was the first word I learned in Mvskoke. The sentiment "Mvto! xo -" embodies the vibrant graffiti of NYC, a city of golden opportunity. New York and I have a complicated relationship, but I love the city, and I believe it loves me back in its own unique and wholly unexpected way.
“Pakpvkuce” means flower in the Mvskoke (Muscogee Creek). Through a series of dots and vertical lines, the petals spell out ‘pakpvkuce’ in binary code. The combining of Mvskoke language and binary code, or machine language, symbolizes the connectivity between the past and future as well as cultural preservation through evolution.
Two vulnerable, intertwined souls throw bold, assertive colors and glass facets at the surrounding ambiguity of an uncertain future. Each day presents a choice: drown with the naysayers or keep moving, one step at a time.
"Do You See Me?" unfolds a visual tapestry, a journey within the enigmatic realm of tradition and evolution. At its heart, a resplendent bloom, crafted with vibrant beadwork and gilded accents, suggests themes of resilience and growth. Resting on six hexagons, the artwork embraces principles of balance, weaving a narrative of interconnectedness. Against acrylic flowers and a darkened sky, diamond-shaped stars speak of celestial guidance and an enduring culture. Encoded secrets in the beads and messages in Mvskoke language, revealed under black light, add an elusive layer. The title ponders visibility and recognition in a world resistant to transformation, inviting contemplation on the delicate dance between tradition and evolution, where meaning is woven and waiting to be discovered in quiet spaces.
Upon a business trip to Miami, FL, I was inspired to take what I have so far and go BIG. With a small budget and a big idea, I ordered two 24"x32" and one 24"x32 giclée prints with a dream and a hope that I wouldn't completely destroy them. I stared at them for two days before getting started, and then one-by-one I enhanced them with acrylic paint, gold leaf, faceted beads, binary code messages, A. Day motifs, and more. These three works laid the groundwork for Evolve or Perish, an A. Day original and Acrybead™ 2.0 creations.
Currently Pakpvkuce 2.0 is hanging at Exhibit C Gallery in Bricktown; Fireflies 2.0 is at Wyld Gallery in Austin; and Binary Pakpvkuce 2.0 is featured in Evolve or Perish.
The buffalo navigates a desolate, expansive snowy desert, seemingly endless and hopeless. Its image emerges several times forward like ghostly echoes, with resolve and the required resilience to forge ahead.
Infused with A. Day original motifs and machine language, what do you see? Tell me.
A. Day's Work is getting bigger, more personal, and accessible - created for larger spaces.
Currently, my art studio, where all the magic happens, is set up in my parents' dining room. If you have any suggestions for a more inspiring and spacious place to create, I would love to hear them!
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